Smoky Trudeau Zeidel (On the Choptank Shores)
Welcome, Smoky! What is your book, “On the Choptank Shores”, about?
The tragic deaths of her mother and two younger siblings have left Grace Harmon responsible for raising her sister Miriam and protecting her from their abusive father, Luther, a zealot preacher with a penchant for speaking in Biblical verse who is on a downward spiral toward insanity. Otto Singer charms Grace with his gentle courtship and devotion to his brother, Henry. But after their marriage, Otto is unable to share with Grace the terrible secret he has kept more than twenty years. Otto believes he is responsible for a tragic accident that claimed the life of a young woman and left Henry severely brain damaged.
Luther’s insane ravings and increasingly violent behavior force Grace to question and reassess the patriarchal religious beliefs of her childhood. Then tragedy strikes just when Otto’s secret is uncovered, unleashing demons that threaten to destroy the entire family. Can Grace find the strength to save her sister … her marriage … them all?
On the Choptank Shores is a love story. The love between a young wife (Grace) and her decidedly middle-aged husband (Otto), and the love of a big sister for her abused baby sister (Miriam). It’s the story of the love for an aging, grief-stricken father (Luther) who is spiraling into a dark world of insanity, and the love of a kind and benevolent God whom Grace knows must exist, despite the crazed ravings of her father, who paints a picture of a vengeful, angry God as he spouts biblical verse to defend his abuse of both Grace and little Miriam. It is a story of the land on which they live, and the power of Mother Nature. Most of all, it is a story of love conquering all.
Who is your most unusual character?
That would be Henry. Henry is Otto’s younger brother who, although a grown man, has the mind of a child ever since a childhood accident left him brain damaged. He can be violent, mostly out of frustration. But he can be very kind, too, and he becomes a great friend to little Miriam, who mentally isn’t much younger than Henry at all, despite the wide difference in their chronological years. Henry gets in deep trouble in the book, but in the end, he turns out to be … whoops! Almost put a spoiler in there! I better leave it at that!
Did you do any research for the book? If so, how did you do it?
On the Choptank Shores is set on the Eastern Shore of Maryland, at a peach orchard named Windy Hill. Windy Hill Orchard was my aunt and uncle’s home, where I spent many happy vacations as a child raiding my aunt’s garden, devouring her blue crab cakes, swimming in the river, and jumping in the sand pit—although we weren’t supposed to do the latter, because my uncle feared the sand would cave in on us. My aunt and uncle were long gone by the time I wrote the book, so most of my research entailed talking to my mother to have her remind me of details about Windy Hill that I needed but had forgotten. I also dug through old photos taken at Windy Hill to help transport my mind back to that simpler time and place.
But I also did a bit of research at the library. I do have one sex scene in the book—it isn’t gratuitous; it actually makes a point about one of the main themes of the book—and I had to research what sort of underclothing a woman in the late 1920s would be wearing. It was fun! For example, Grace did not wear a bra; she wore a bust confiner. That was a fun fact to uncover.
I also had to research what giving birth would have been like back then. They certainly didn’t allow fathers into the delivery room, of course; nor did they have epidurals. It’s a wonder to me any mother survived childbirth before the advent of epidurals.
How much of a story do you have in mind before you start writing it?
That’s differed from book to book. My other published novel, The Cabin, I had most of the story plotted out in my head before I set a finger on the keyboard. That was easy to do, because the plot stemmed from a story in my family’s history that I found fascinating.
But for On the Choptank Shores, I had a totally different idea of what the story would be when I started out than when I finished writing it. The characters just took over and wouldn’t let me write what I thought I was going to write! And they were correct in doing so, and I was smart to let them. Their story was so much better than the one I thought I was going to tell!
Do you have specific techniques you use to develop the plot and stay on track?
While meditating, I often come up with rough ideas for scenes I need to write. The characters get in my head and tell me what to write when I’m in such a relaxed state. I also sometimes dream scenes, which is pretty wonderful when it happens.
As to staying on track: often, I don’t. But that’s because, as I said in the last question, if my characters aren’t happy with the way I’m telling the story, they tend to take over and tell the story their way instead of the way I’m telling it. Sometimes, jumping the track is better than staying on it!
How (or when) do you decide that you are finished writing a story?
I am so glad you asked that question! As a former writing instructor, I get concerned when writers announce they are writing a 90,000-word book, or they have 4,000 words to go before they finish writing their book. How, exactly, can you know how long your story is going to be? My opinion is, you write until the story is done. Then, you stop. That means sometimes I end up with a novel, sometimes a novella. Sometimes, it’s a short story—one of my more popular short stories (it’s been published five time!) is “Good-bye, Emily Dickinson.” I wanted badly for that story to be a novel, but it just wasn’t. It was a short story. I would have had to pad, and pad, and pad to stretch it further, and that would have diluted the story.
Of course, once you have some experience, you can judge whether your story will be a novel or not. But exact word count? I don’t think so.
So, to get off my teacher soapbox and answer your question, I write until the story is done. When it reaches the climax, when I’ve done my denouement, I call it quits. Period.
I do have a neat trick I’d like to share for knowing exactly which sentence should be your last. Remove the last sentence. Is the final paragraph still strong? Does it make sense? If it does, now remove that sentence and ask yourself the same questions. If it does, now remove that sentence. Keep doing this until you weaken your ending by removing a sentence. Add that necessary one back, and that should be the end.
What, in your opinion, are the essential qualities of a good story?
First, your characters must ring true. That means your hero or heroine can’t be perfect; they must have flaws. Similarly, your antagonist can’t be all bad. For your characters to ring true, you also have to get dialogue right. People speak in contractions, for example, yet it’s drummed into us in school not to use them!
Your plot must, of course, revolve around a central conflict. There are probably going to be other conflicts as well making up your sub-plots, but it amazes me how many manuscripts I’ve edited for people where there was no central conflict. They hadn’t written stories; they’d written “A Day in the Life of…” types of things. But that’s basic principle of fiction writing! No conflict, no story.
There are more, but those are the most important, in my opinion.
Do you prefer to write at a particular time of day?
I am definitely a morning person. I like to arise before the sun and write. By about lunchtime, my mind starts to tire. I’ll switch to any editing jobs I’ve contracted at that time.
Of course, if I’m really on a roll and still feeling fresh, I’ll continue to write. But, generally speaking, mornings are when I’m at my best.
Do you have a favorite snack food or beverage that you enjoy while you write?
Graham crackers and Coca-Cola. I have a very testy stomach, and grahams and Coke keep it soothed while I write.
Does writing come easy for you?
Yes and no. When I sit down to write, the words flow, and flow easily and well. I’ve been told I’m a natural-born writer, but I don’t know if that’s the case. I grew up in a house full of books, and was always a natural-born reader, and I think being well-read is crucial to becoming a great writer.
The problem for me is the same problem most writers have, and that’s finding the time to write. That is not always easy!
What’s been the most surprising part of being a writer?
The awe some people display when they find out I’ve not only written a book, but written several! Really, I don’t tell people I’m an author to stun them! It’s what I do, just like some people are gardeners or bank tellers or forest rangers. But there is something about being a writer that makes other people think you’re pretty cool—even if you aren’t!
What are you working on right now?
I’m working on my third novel, called The Storyteller’s Bracelet. A storyteller’s bracelet is a Navajo bracelet that has pictographs carved into it that tell the artist’s story, or another person’s story. My sister gave me one a few years back, and the inspiration for this novel came from that.
I’m also working on another project, called The Madam of Bodie. It’s loosely based on true stories from Bodie, California, which was known as “the baddest town in the West” during the California gold boom. It’s a state park now and one of my favorite places to visit when we go to the Sierras. It’s a writers dream, as far as inspiration goes.
Have you written any other books?
Yes, I have! There’s my novel, The Cabin, which I’ve already mentioned. My latest release is Short Story Collection, Vol. 1; the print edition of that was released just a few days ago. Then there’s Observations of an Earth Mage, my photo/ essay book of reflections on nature.
I also have another new eBook release that will be available in print in October: Smoky’s Writers Workshop Combo Set. The book is comprised of both my books for writers: Front-Word, Back-Word, Insight Out: Lessons on Writing the Novel Lurking Inside You From Start to Finish; and Left Brained, Write Brained: 366 Writing Prompts and Exercises., The former title is the same fiction writer’s workshop I used to teach, so people can get an entire 10-week writing class in one book, plus a year’s worth of writing exercises in one book with the new, combined book. It’s a great way for someone who wants to write a book to learn the right way to do it, and it works! One of my former writing students, Robert Hays, learned to write fiction with my method, and he’s gone on to publish four novels!
Where can people learn more about your books?
Here’s the list of all my links. I hope people will look me up in these places, friend and/or follow me, and say hello!
Website and “Smoky Talks” Blog: www.SmokyZeidel.wordpress.com
Facebook Fan Page: www.Facebook.com.Smoky.Zeidel.Writes
Amazon Author Page:
Goodreads Author Page: http://bit.ly/pGXAXq
Smashwords Author Page: http://bit.ly/qan6Nx
All Romance Author Page: http://bit.ly/p6pR9O
Click here to read an excerpt from: On the Choptank Shores
Click here for an interview with: Grace Harmon Singer, Hero of On the Choptank Shores by Smoky Trudeau Zeidel