The Obscure World of Early Women Artists of Japan
Early Women Artists of Japan
Women share a strange relationship with art. She is the inspiration behind many a great artistic creation, sometimes she is the muse of the creator, but hardly ever she is seen as an initiator herself.
Existing social structure, that made formal training, rigorous practice, and exhibitions of artistic exploits difficult for women, can largely be blamed for the scant presence of talented women artists in the world of art till the 19th century.
They were, however, allowed to work at home between performing their domestic duties and, occasionally, assisting their male family members in the studios.
Murasaki Shikibu’s The Tale of Genji inspired many later-day artists to create immortal works of art. Famous painters of Tosa School, particularly Mitsuoki, created several impressions influenced by Murasaki’s poems.
The situation remained the same for the ensuing seven hundred years or so. Then started the Edo period with its policy of sakoku and Japan became completely isolated from the outside world. No foreigner could enter or exit the country without facing the death penalty.
Practitioners of bunjinga or literati painting started challenging the existing social norms. Matsuo Basho accepted women as trainees in his school. Despite considerable opposition, female painters could now practice openly and were no longer forced to remain obscure.
Kiyohara Yukinobu (1643 – 1682) created very detailed yet delicate landscapes on folding screens and hanging scrolls. 18th-century poets and artists Chiyo-ni and Tagami Kikusha started combining ink illustrations and calligraphy with their haiku poetry.
Being a Buddhist missionary, her world was not confined to the limits of the four walls of the home. Instead, she traveled widely and met a great many people while performing her religious duties. This helped her to have a wider outlook and perfect her natural skills as an artist.
Uemura Shoen’s (1875 – 1949) work helped women become more engaged with the world of art. She was not only a gifted artist but also a single mother by choice. The latter decision caused a considerable furor in a still conservative society. But her accomplishments as an artist were too great to be ignored for long.
Unlike the West, Japanese artists reveled in similar styles and subject matters irrespective of their genders. If any difference existed, it was in the delicacy of the presentation and softness of lines. Artists often searched for and found solace in nature. Even the women artists were not shy of confronting their inner demons on canvas.
Not surprising then that even today, thoughts such as the following expressed through poetry or painting continue to reverberate in everyone’s minds — “Living deep in the mountains / I’ve grown fond of the / Solitary sound of the singing pines; / On days the wind does not blow / How lonely it is!”